Press

"Soprano Naomi Merer...as Figaro's fiancée Susanna, brought a masterful sense of comedic verisimilitude to her role and championed a voice that grew in warmth and consonance..."
—Daniel Kepl in BravoCalifornia!

“…vivid soprano Naomi Merer singing the justice-seeking Donna Elvira.”
—Robert F. Adams in VOICE Magazine Santa Barbara

“Also worthy of mention were the Three Ladies, played by Amanda Osorio, Naomi Merer, and Athena Beebe; their scalar runs were well-synchronized, even as they fought over who would watch over the sleeping Tamino.”
—Logan Martell in OperaWire

Watch

Come scoglio from Così fan tutte by W.A. Mozart
Dr. Ching-Yun Chen, piano
Video by David Bazemore from the Performing Arts Scholarship Foundation Competition

Spring from Songs and Sonnets to Ophelia by Jake Heggie
Mandee Madrid-Sikich, piano

Ved’ me kroky from Legenda o Kateřině z Redernu by Sylvie Bodorová
Dr. John Ballerino, piano
Video by David Bazemore from the Performing Arts Scholarship Foundation Competition

Naomi Merer’s DMA Lecture Recital, Get thee to an asylum: reflecting on the evolution of mental illness and its portrayal in Thomas’s operatic mad scene
Mandee Madrid Sikich, Piano
UCSB Music Department, May 2021


Listen

Love, Let the Wind Cry ... How I Adore Thee by Undine Smith Moore
Naomi Merer, Soprano; Mandee Madrid-Sikich, Piano
I Am In Doubt by Undine Smith Moore
Naomi Merer, Soprano; Mandee Madrid-Sikich, Piano
Navždy from Navždy by Vítězslava Kaprálová
Naomi Merer, Soprano; Mandee Madrid-Sikich, Piano
Wiegala by Ilse Weber
Naomi Merer, Soprano; Mandee Madrid-Sikich, Piano
Ruce from Navždy by Vítězslava Kaprálová
Naomi Merer, Soprano; Mandee Madrid-Sikich, Piano
Alleluia from Exsultate, jubilate by W.A. Mozart
Naomi Merer, Soprano; Tim Accurso, Piano